Me gustaría saber dónde puedo conseguir libros del autor, tales como "The Flights of Icarus" o "Views". Gracias, y espero que se reimpriman pronto. Un saludo

This book is a must. If you only like music or if you love the covers more than the music inside or if you are learning to design covers...Well, this book has it all. The covers are show by elements in commom, so you can judge by yourself about the criativity of the designers. Roger Deam is a famous artist well know by his covers and stages for the rock group Yes. But this does not interfere with the overall result. The guys did a fantastic job compiling all the covers in this book. There are rock covers, jazz covers, latim, dance, disco, and so on. All possible covers are there. Don't hesitate. Buy it now!

Alex Sab

If you own any of the Bear Family label's CD collections, you know why they're worth the expense. Meticulous is an apropos word for the CDs as well as this book. Not as irreverent as some other rock books on 1950s artists, but not too monotone, either. Lots of interesting info that even longtime rock lit readers should appreciate. Check it out and then browse some of BF's CD offerings...

Colin Escott and his compatriots in the great Bear Family family have been bringing the finest and most intriguing American music to light for decades through their persistence in packaging completist retrospectives for serious listeners. Early rock and roll and its precedent musical forms--country, rhythm & blues, even popular vocalists--have never been better served than by their responsible reissues and thoroughgoing, often hilarious, always insightful liner notes. ALL ROADS LEAD TO ROCK is a must-have for anyone who cares about this music--these are the liner notes that helped me fall in love with it years ago, and to this day I look forward to new Bear Family sets with the knowledge that even on the infrequent occasion that the music isn't immediately to my taste, the liner notes will be an entertainment unto themselves.

All saints are a very good group. We did a dance to the song called I know where its at and Bootie call.Tara looks a bit like Mel and Rachel looks a bit like Nat. Rachels fav songs are Never ever and Under the bridge . Tara's fav songs ara Alone and Under the bridge. WE LOVE ALL SAINTS.

the book was very good and talked a lot about the girls thoughts on every thing. if your a fan of the group this is the book to buy.

The book has a wonderfully readable text to compliment the beautiful color plates, and David's illustrations of inclusions and the rainforest are impeccable. You don't have to be a rocket scientist to understand and learn about amber from this work, however, I must say, David, you are a talented genius and I read every word. All my friends are fascinated by the book and the author.

Some of you may be aware of the current amber exhibition at the Natural History Museum in New York. At the same time as the launch of this exhibition David Grimaldi; chairman, associate curator and organiser of this display has authored and published a new book on amber to compliment the show. New books on amber, particularly in English are so rare that I have taken the liberty of reviewing the work here for those who are interested. My credentials are thin for this task. I collect amber and have an extensive collection of pieces with flora and fauna inclusions. I read and collect articles, books and any work on amber I can get my hands on. I have had work published myself in my other existence as a management consultant. So I have some idea of the demands made on writers and authors. However, with your forgiveness I submit this review for your interest; 'tis a meagre a thing, but mine own1. The book, 'Amber - Window to the Past1 is immediately impressive both by its size and rich colour jacket. The cover shot at first sight might be some kind of artistic abstract picture, but is actually a photograph of several insects trapped in a piece Dominican Republic amber, a great attention grabber. The book was printed and bound in Japan and this countries predilection for quality and precision is clearly present in this work. There are 230 illustrations, which include 115 colour plates. Amongst these are some old line drawings and pictures which have been published in other works. These seek to illustrate certain inclusions and methods of amber collection. They help contextualise and place amber in an historical setting and their presence is understandable. The majority of pictures are however entirely new, 95+%. The photography is exemplary. Photographing amber myself I recognise the difficulties and problems one encounters, but here only the best and most lavish illustrations have been used. The pages simply ooze class. The book is principle divided into two sections: Amber in Nature and Amber in Art. The nature section begins by illustrating the origins of amber, how it came into existence, the types of trees which created it and is replete with interesting quotes and diagrams. Having already mentioned the graphical content of this work I will emphasise that nearly every page of text is supported with pictures and drawings which are comprehensible and useful. They helps immensely with understanding some of the processes and concepts dealt with in the work. There are the merest handful of areas where both facing pages are full of text with no graphical content. That in 208 pages is quite a feat. The following chapter covers geographical distribution of amber deposits. A minor exception here is the Isle of Wight amber deposit just off the South coast of the United Kingdom. This is a rich if very small source of some of the most ancient amber in the world and yet other than a few papers published by Dr Edward A. Jarzembowski has received scant to little attention by the academic press. The emphasis in this section is given to the major source deposits of amber, namely the Dominican Republic and the Baltic Coast though other areas are covered such as Mexico, Burmese, Japanese and the Middle East. A marvellous picture on page 58 shows quite literally gigantic 'dunes1 of crude amber being bagged after being extracted from the now defunct Bitterfield mine in Germany. This illustrates better than any list of figures the vast quantities of amber which must have flowed out of this general Baltic region. I have seen a very similar photograph taken of the same scene in the 1995 book 'Stenen som flyter och brinner' authored by Ake Dahlstrom and Leif Brost of the Swedish Amber Museum. This is a book written in Swedish, so it has limited distribution. I am glad that Grimaldi has included this picture here, for those people for whom amber has a special attraction or interest, it is simple awesome, and I use this word carefully. There then follows a rich selection of photographs illustrating the different types of inclusions which can be found within amber. Only the best and rarest are presented here and might give the casual reader the impression that this type of inclusion is present in nearly every other piece of amber ever found. Nothing could be further from the truth. These pieces are only the Creme de la Creme of the amber world. It is only when flicking through these pictures, time and time again and reading where they have come from that one realises the gargantuan task Grimaldi undertook in gathering together so many of these items not only for photography but also for display in the NHM exhibition. As well as the normal photographs in this section there is also a range of electromicrographs. These illustrate the micro preservative qualities of amber rather than the macro aspects which the normal pictures do so well. This leads logically into a section on DNA and its presence within such well preserved inclusions. This latter issue seems to have become a hot topic amongst many journalists, no doubt inspired by Crichton1s Jurassic Park and all the accompanying publicity. What frankly is more interesting I believe are the deductions and insights which can be drawn from the range of inclusions in amber about the ancient forests, their ecological workings, the animals present and the environmental conditions which existed. This too is also addressed in the book with a section on the ancient communities of the amber forests and woodlands. A final chapter in this section addresses amber forgeries and is especially interesting showing the lengths to which some people have gone in creating fake or counterfeit amber pieces with large or rare inclusions. This chapter draws on an earlier article written by Grimaldi et al in the NHM Journal which specifically addresses amber forgeries. This earlier work shows in even greater detail the deviousness of some amber forgers. However, the best photographs have been transferred to the book, with the exception of a Tarantula allegedly found in Dominican amber but which the author was unable to tests for its authenticity. The lack of confirmation one way or the other no doubt accounts for its omission from this volume. The second half of the book looks at Amber in Art. The initial part of this section begins by looking at the uses of amber through the ages starting at the Mesolithic Period. This whole section has a predominantly European slant. Here again are some unique illustrations and diagrams. The famous Hove cup from the Booth Museum in Brighton, United Kingdom is shown. It differs from many I have seen in the way the lighting has been set up to illustrate its translucence and the fine craftsmanship needed to have produced this piece. The text goes into some depth on the histories of amber and gives a broad though not heavily detailed account of its prominence in antiquity. It makes for good light reading without becoming bogged down in too many dates or claustrophobic details. The segment on Medieval and Renaissance amber shows some examples of woodcut prints detailing how amber was obtained in the Baltic but only one 17 century piece of jewellery is actually illustrated. The years leading to the beginning of this century are well structured. Ample information provides a rich description of the uses and the levels to which amber in art aspired during these years. Nothing is present on the contemporary use of amber in art and jewellery and would have been interesting. As DNA in amber has become a focus for many people so too has the 'amber room1, an 18 century concoction of the Prussian and later Russian nobility. In essence this was a room completely covered in amber which mysteriously went missing during the second world war. Russian craftsmen are now in the slow and laborious process of re-creating this masterpiece from old photographs and diagrams. Some of the first pictures I have ever seen of their efforts appear in this book and show the amazing level of opulence they have achieved to date.

John Murray is one of the best writers on the West practicing today, perhaps the best. He has authored or edited more than forty books including such classics as Desert Awakenings, Cactus Country, and the highly acclaimed American Nature Writing series.

This book is a collection of fifteen essays and fifteen stories, both fiction and nonfiction, that celebrate what Murray describes as the most beautiful desert in the American Southwest, the Red Rock Desert. It is loosely located in a triangle shape anchored by the Gates of Ladore to the north, the Grand Wash Cliffs to the southwest, and the Zuni Mountains on the southeast. All things considered, a pretty good boundary description for the Colorado Plateau and the four-corners area. Indeed, the twenty-one locations of his stories and essays are in southern Utah, northern Arizona, and western Colorado.

In his incomparable style of graceful prose and lyrical musings Murray takes the reader into the world of form and color that define such diverse locations as Monument Valley, Escalante Canyon, Navajo Mountain, Grand and Coyote Gulch, Wilson Mesa, Professor Valley, the Burr Desert and a host of other locations that form this wonderland of incredible beauty and harmony and time and space. Using the desert as a metaphor the stories tell of life and death, greed, togetherness and separation, hope and despair and a myriad of other conditions that are so like the West itself. The essays describe the ever changing beauty and danger of the rivers and canyons and space, indeed all of the flora and fauna that comprise the Red Rock Desert and reveals Murray's deep affection for, and encyclopedic knowledge of, this special place. The following from the Afterword will give the reader an idea of the special talent of Murray: "I only know this. There are few things as beautiful as the shapes a desert river carves in the rock of a country, or the way a canyon rose holds it wine-colored blossom toward the sun, or the sound of the wind as you climb to the summit of a solitary peak. To have been among these places is to have known a happiness not often found elsewhere in this world."
Truly a special book about a special place.

John A. Murray's latest book, "Another Country: Encounters with the Red Rock Desert," is a tour de force. Murray has created a new genre, alternating non-fiction nature writing with gutsy, O. Henry-surprising short stories. A lesser writer might founder with this format, but Murray brings home the goods.

From a touching elegy for his mother ("Sandpainting") to hard-ball, edgy murder and action ("The World Behind the Sun"), the author writes with a deft, sure hand and leaves no false notes.

Tying the work together is the place, the sun-splashed, crimson walls of the Four Corners region, Hillerman country, Abbey country - and, now, Murray country. You can't fail to want to grab your sleeping bag, lace up your boots, and head out for a hike to the Red Rock wilderness after reading this book. And after reading the title story, a gut-wrencher with a surprise ending, you'll also remember to bring along a gallon or two of water.

This book is great stuff. Buy it.

Mike Salisbury has long been one of my heroes, both for his innovative design work and strong knowledge of marketing. This book provides great insight into how Mike approaches a project and why he brings so much more than design talent. And the vivid examples from his extensive portfolio are inspirational, to say the least.

lotsa big bright pictures! An autobiographical account of this mike salisbury guy, a celebrity art director/graphic design type who came up with some of the most unforgetable commercial graphics and campaigns of the last 30 years (Joe Camel, Rolling Stone magazine, Jurassic Park, and even Micheal Jackson!). The guy's kinda pompous, but I guess that's the gig in the promotion and marketing game. Worth reading!

Atlantis In Wisconsin by Frank Joseph is thoughtful and iconoclastic blend of metaphysics and archaeology, contemplating the possible former existence of the Atlantean civilization and a direct association with the area now known as the state of Wisconsin. From hints of Atlantean legend found in Native American folklore, to the mineralogical and archaeological mysteries hidden in Wisconsin's earth, Atlantis in Wisconsin offers an engaging and challenging hypothesis. Of particular note is a chronology described in a three page appendices called "A Rock Lake Time Line". Enhanced with copious notes, Atlantis In Wisconsin is provocative and thoroughly engaging reading. Also very highly recommended is Frank Joseph's earlier work iconoclastic work, Lost Pyramids Of Rock Lake: Wisconsin's Sunken Civilization.

If you don't believe the real evidence presented in this book, then you don't have a logical and accepting mind.

"Bears Make Soup and Other Stories" might seem like a collection of ancient Native American stories but this is actually a rather unique collection of new tales reflecting the time when people and animals spoke to each other in dreams. Artist Lisa Fifield, a watercolorist and quilt maker enrolled in the Oneida Tribe of Indians of Wisconsin, created 14 paintings focusing on animals that still live on the plains and in the woodlands of North America, such as black bears, deer, moose, loons, and crows. Then writer Lisa Erdrich, who is enrolled in the Turlte Mountain Band of Plains Ojibway wrote stories to bring the pictures to life. The stories are organized by animals, so that you start with several stories about bears, including "The Bears that Couldn't Hibernate" nd the title story, then move on to the other species of animals. The points made by the stories are usually subtle, and reflect the sense of harmony between living things as much as anything else. The stories show animals and people teaching and learning from one another, as well as helping each other in times of need. I can see a teacher showing a class one of these paintings, such as The Naming Ceremony or Forest of the Deer Spirits, and having students come up with their own stories before sharing the one with the book. It would interesting to see if the students would catch on to the spirit of these stories if they did this a few time and became better able to anticipate what Erdich came up with from Fifield's artwork. "Bears Make Rock Soup and Other Stories" is a simple but elegant collection of stories.

Bears Make Rock Soup And Other Stories is a highly recommended children's picture book of original tales written by Lise Erdrich (a member of the Turtle Mountain and of Plains Ojibway) and illustrated with paintings by water colorist Lisa Fifield (member of the Oneida Tribe of Indians of Wisconsin). The distinctive and colorful art wonderfully complements the brief, unique, fairytale-like narratives of creatures of the earth and sky.

Buy this book for the outstanding photographs!!! I thouroughly enjoyed this book, and everytime I pick it up, I get this urge to fly to Alaska to see these magnificent creatures.

This book is beautiful; a work of art. Matthias Breiter may very well be the most knowledgeable naturalist on earth when it come to brown bears.

I love this CD-Rom. I really do. It is a work of creative genius. The best part about this user friendly, action packed treat is the interaction involved. The trivia game is loads of fun and will make even the most seasoned Beatles fan work a bit harder! It is truly a treat. For those who need good gift ideas, I highly recommend this one. This is wonderful.

Joe Cuhaj's Beatlepedia CD-ROM provides hundreds of pictures, making collecting a breeze. It also contains a trivia game, rare video clips, and internet links even non-collectors will find fascinating. Especially useful is the quick lookup to every single Beatles album (British and American collectibles) and Beatles solo efforts, such as Paul's performance with the Beach Boys. Mr. Cuhaj provides a plethora of facts while maintaining a friendly and simple to use interface. I highly recommend this CD ROM to Beatle fans, collectors, music lovers, and trivia enthusiasts alike.